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TAKEN IN SEANCES WITH EUSAPIA PALADINO

from the book Mysterious Psychic Forces by Camille Flammarion

Plate I.

Complete Levitation of a Table in Professor Flammarion's Salon through Mediumship of Eusapia Paladino.

Note the person on the right is holding her hand and has his feet on hers to make sure she does not move the table with any part of her body.

 

Plate IV. Plaster Cast of Imprint Made in Putty without Contact by the Medium Eusapia Paladino.

 

 

Plate V. Eusapia Paladino, Showing Resemblance to the imprint in Putty.

Dr Ochorowicz writes as follows apropos of these prints of faces and of the study which he made of them at Rome:

The imprint of this face was obtained in darkness, yet at a moment when I held the two hands of Eusapia, while my arms were entirely around her. Or, rather, it was she who clung to me in such a way that I had accurate knowledge of the position of all her limbs. Her head rested against mine,

[Pg 77]

and even with violence. At the moment of the production of the phenomenon a convulsive trembling shook her whole body, and the pressure of her head on my temples was so intense that it hurt me.

 

After the end of that seance of the 27th of July, 1897, as I desired to see again the levitation of a table in full

[Pg 83]

light, the chain was formed standing, the hands lightly placed upon the table. The latter began to oscillate, then rose up to a height of nine inches from the floor, remained there several seconds (all the participators remaining on their feet), and fell heavily back again.

 

Plate VI

Photograph of the Table Resting on the Floor.

 Photograph of the Same Table Raised to a Height of

Twenty-five Centimetres. Photograph  by M. G. de Fontenay.

M. G. de Fontenay succeeded in getting several photographs by the magnesium light. I reproduce two of them here (Pl. VI.). There are five experimenters who are, from left to right, M. Blech, Mme. Z. Blech, Eusapia, myself, Mlle. Blech. In the first photograph the table rests upon the floor. In the second it floats in air, coming up as high as the arms, at a height of about ten inches on the left and eight inches on the right. I hold my right foot resting upon Eusapia's feet and my right hand upon her knees. With my left hand I hold her left hand. The hands of all the others are upon the table. It is therefore altogether impossible for her to employ any muscular action. This photographic record confirms that of Pl. I., and it seems to me difficult not to recognize its undeniable documentary value.

 

 

Plate VII. Plaster Casts of Impressions in Clay Produced by an Unknown Force.

Plate 1X

Table as it is suspended/levitated and steady. The hands of the person seated beside Eusapia are holding one of her hands and one on her knee. The other person standing is also holding her hands. The other observers are watching the table legs off the floor and watching to make sure Eusapia is not manipulating the movement of the table with any part of her body.

Plate X

Table at the time it was falling [NOTE the moved blurred image of the table falling to the floor]

 

 

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