The Danish psychical researcher and photographer Sven Turck conducted repeated tests of Jonsson’s psychokinetic powers, guarding against any possible trickery by creating strong controls in his laboratory. In Turck’s laboratory in Copenhagen, the researcher photographed Jonsson, together with a select group of psychic-sensitives, performing feats of psychokinesis. Turck set up three cameras at different angles, so that one always showed the action from behind, one from underneath, and one from above. After a series of sittings with the sensitives, chairs and objects began to move. A large worktable rose up on one leg and began to whirl around its own base, pirouetting faster and faster. Turck’s greatest wish was that they might get  the table to soar freely in the air so that he might photograph the phenomenon of levitation. A few evenings later, the photographer was able to capture the fulfilment of his wish on the film of three cameras.

These phenomena were repeated often during the course of several months’ of sittings in Turck’s laboratory and were always dutifully recorded by the trio of cameras that had been loaded with infrared film. On one occasion, a large commode, of such a weight that two men could not lift it without great effort, was moved soundlessly out into the middle of the laboratory floor.

Author Stig Arne Kjellen said that Turck had never been able to believe in such dramatic displays of psychokinetic force until he had become a participant in the sessions held in his own laboratory. In principle, the psychokinetic moving of a candlestick is just as remarkable as the moving of a heavy table. Both feats are quite impossible in the view of orthodox science. The series of photographs taken during Turck’s experiments in Copenhagen were carefully examined by five of Denmark’s foremost photographic technicians, among them the director of the Danish photographic professional school, Theodore Andresen, who had full access to the photographic negatives. Each of the photographers agreed that no manipulations whatsoever had been worked upon the negatives.

Sven Turck was a Danish photographer who primarily worked in the 1930s and 1940s. He performed more than 50,000 recordings of daily life, national symbols, events, businesses and individuals, many of whom are at the Royal Library. In 1945 released Turck book "I was familiar with the Spirits" , who through photographs showed movement of furniture without any apparent cause and which was perceived as psychokinetic influence, PK.

The Danish psychiatric researcher and photographer Sven Turck made repeated samples of Jonsson's psychokinetic powers, protected against any form of cheating when they created great control in his laboratory.  In Turck's laboratory in Copenhagen, photographed researcher Johnson, together with a selected group of mentally-sensitive, where they performed plenty of psychokinesis.

 Turck deferred three cameras at different angles, so a camera always showed what happened behind and a bottom and a top.  After a series of sitting with the mentally sensitive, began chairs and other things that move.  A workbench and began to rise up on one leg, and began to spin around on one leg, and it spun faster and faster. Turck's greatest wish was that they got it to float freely in the air so he could photograph the phenomenon of levitation.  A few nights later to get the photographer to record the fulfillment of his desire to film in his three cameras.

These phenomena were often repeated over many months of sitting in Turck's laboratory, and always with great duty performance recorded by three cameras that were placed infrared film in. In a recording was a great dresser, which was so heavy that two men could not lift it without great effort, moved silently into the center of the laboratory floor.

 Author Stig Arne Kjeller said Turck had never been able to believe in such dramatic test of psychokinetic powers until he himself was a participant in the tests held in his own laboratory. In principle, to move a candle is just as remarkable as moving a heavy table. Both farms are quite impossible from the orthodox scientific view.

All the photographs were taken during Turck's experiments in Copenhagen has been carefully examined by five of Denmark's renowned technicians, among them Director of the Danish Photograph School Theodore Andresen, who had full access to the negatives to the pictures. Each photographer technician was agreed that in no way been working with the manipulation of these negatives and photos.

The following pictures were taken by Sven Türck.

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The media Borge Michaelsen was used many times by Sven Turck in his attempt. But it happened more often when Anna Melloni Rasmussen was absent. When Michaelsen is lifted so that he feels two hands, one under the seat and back. One thing he did not like was when one of the Spirits finger had slipped up in his rectum. This I was told by an older man who was present when it happened. George told me that there were several occasions where the media did not like the feelings when hands came and lifted them up ... The same is said of Emil Carlsen.

I who have been in physical Circles and where the Spirits have felt on me, took my hand, touched my cheek and kissed me, can also tell you that your hands (fingers) feel like pieces of sausage - sausage sausages.

So it's a good opinion of the two old Mediums.