MATERIALISATIONS    11

 

                                                                     

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From the book Broadcasting From Beyond   A.E. PERRIMAN

DOCTOR EXAMINES SPIRIT LARYNX

At two experimental sittings, we introduced a special type of fluorescent screen to assist the spirit world to demonstrate “etheric television.” As it was an experiment, we did not know whether it would meet with success or not, but we were always ready to try anything new if it meant increasing our knowledge of the operation of psychic laws.

There was no demonstration at the first sitting, which was mainly given over to instructions and personal messages to the sitters.

At the next sitting, Belle was the first to speak. She had a cheery word for each sitter, and announced: “I am going to bring my little blue bird. I want you to see it, and hear it sing.” At first we were unable to see anything, although we could hear a faint whistle. After a while, we observed a light appear and take the form of a bird. When it was fully formed, it took to flying round the room and whistling a shrill note.

Flora spoke, and told us to move the big luminous screen, which was resting on a chair, to a position where it would not reflect its light on the medium. Soon the shadow of a cross was thrown on the screen. “I have brought the cross from the mantelpiece and put it back again,” said Belle. The cross referred to was an apport brought at a previous sitting. It is a solid piece of work in green marble, and weighs nearly half a pound.

Belle told us she was going to try to do something.

“Look!” she said. We saw lights appear behind and above the screen. The number of lights increased, and there was one extra large patch of luminosity. On the screen we observed a shadow, but we could not define any shape. Another large light appeared, and the mass of lights began moving about the room.

Belle said she was going to get something. We saw the trumpet, illumined by reflected light from the screen, sail up to the ceiling. “I’m going to do something else,” said Belle. She carried some roses from a vase on the mantel piece, held them in front of the screen, and touched one of the woman sitters on the head. “I can see your little hand holding the rose, Belle,” said this sitter.

A spirit voice told us that they were ready to experiment. The screen, which weighs over fourteen pounds, began slowly to rise. Higher and higher it went until we heard it knock against the ceiling. It remained there for some time, the luminous side being visible to us. Then it began to descend, revolving very quickly in space. It then went from one side of the room to the other at a quick rate. Following these gyrations it gradually descended and came to rest on the chair. Not a sound was heard.

Then we were told that an attempt would be made to materialise the spirit larynx used for speaking. Within a foot of Dr. Coulthard’s face, there appeared a materialised structure showing movement of different parts as the control spoke through it. “I am talking to you,” he said, “and I want you all to see how this works. Now I am up here.” We heard the voice coming from the ceiling. “Now I am coming right away, here, in front of you.” The voice descended from the ceiling and spoke to the doctor. “You saw the larynx manipulated, doctor?”

“Yes,” was the reply.

“Then I would like you to express your opinion,” he was asked. Here is Dr. H. Coulthard’s report on the materialised larynx:

“Striking proof of the modus operandi of the direct voice phenomenon was given me at a Mrs. Perriman séance a few days ago, when a complete ectoplasmic larynx was materialised less than two feet in front of me.

“I was able to see the whole of the working parts of the larynx, and have no hesitation in declaring, as a medical man, that the structure I saw was an exact replica of a human larynx.

“This remarkable experiment was made by one of Mrs. Perriman’s controls. I was sitting two chairs away from the medium, and the séance room was so arranged that it was impossible for Mrs. Perriman to move from her seat. Directly in front of her had been placed a new instrument with which we were experimenting.

“I heard the voice of the control talking in front of me. Then there appeared straight in front of me and about eighteen inches away, a phosphorescent replica of a typical anatomical larynx. It was shown in such a position that I could see clearly its construction.

“Inside the larynx there were the vocal cords or folds. These cords, when one is speaking, move from side to side. When the voice is not being used the cords are motionless. While I was looking at this spirit larynx, I heard the control talking. As he spoke, the vocal cords moved in exactly the way I would expect if I were able to watch a human larynx at work. The spirit varied the pitch of his voice, speaking sometimes high and sometimes low. These changes were all accompanied by the appropriate movements of the cords. The distance between the cords varied as the pitch varied.

“I am convinced that it would have been impossible for the medium to have produced such a model as I saw. Even if she were able to get out of her chair, and in front of me, she would still have to work the model without her hands being visible. She would require considerable technical knowledge, which I am sure she does not possess, to be able to move the cords exactly as they should be moved when the voice was speaking. Besides, the voice was distinctly that of a man.

“The larynx seemed to me to be floating. The phosphorescent nature of the substance naturally made it a trifle blurred, but it was sufficiently clear for me to certify that it was in all respects similar to a human larynx.”

 

The happenings of a materialized seal was printed in detail in Light (April 22, 1900), on the basis of Gambier Bolton's account before the London Spiritualist Alliance. The story goes as follows:

Being well known as a zoologist, Bolton received a note from an auctioneer asking if he would come to see a large seal that had been sent from abroad. "The poor thing is suffering; come round and see what you can do," wrote the seal's temporary owner, and being deeply interested in the welfare of animals of all kinds, Bolton at once obeyed. The poor creature had been harpooned, and was languishing in a large basket. He saw at once that it could not live, but wishing to do what he could to prolong its life, he dispatched it to the Zoological Gardens. Later in the day he called to see how it was faring, and found that it had been put into the seal tank. When Bolton visited the tank the seal rose from the water and gave him a long look, which, as he humorously suggested, seemed to indicate that the animal recognized him and was grateful for its treatment.

The seal died that night, and ten days later Bolton was at a seance at which Frederick Craddock was the Medium. A number of people of social and scientific repute were present. Suddenly someone called out from the cabinet: "Take this great brute away, it is suffocating me." It was the seal! It came slowly from the cabinet, flopping and dragging itself as do seals, which (unlike sea-lions) cannot walk. It stayed close to Bolton for some moments and then returned to the cabinet and disappeared. "There is no doubt in my mind," said Bolton, "that it was the identical seal."

Asking about the modus vivendi of animal materializations, Bolton obtained the following answer from the spirit controls: "Their actions are altogether independent of us. Whilst we are busily engaged in conducting our experiments with human entities who wish to materialise in your midst, the animals get into the room in some way which we do not understand, and which we cannot prevent; obtain, from somewhere, sufficient matter with which to build up temporary bodies; coming just when they choose; roaming about the room just as they please; and disappearing just when it suits them, and not before; and we have no power to prevent this so long as the affection existing between them and their late owners is so strong as it was in the instances which have come under our notice."

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