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 LEVITATIONS  4

                                                                     

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Levitation


Levitation is a phenomenon of psychokinesis (PK) in which objects, people, and animals are lifted into the air without any visibly physical means and float or fly about. The phenomenon has been said to have occurred in mediumship, shamanism, trances, mystical rapture, and demonic possession. Some cases of levitation appear to be spontaneous, while spiritual or magical adepts are said to be able to control it consciously.

There seems to be several general characteristics about levitation. The duration of the phenomenon may last from a few minutes to hours. Generally it requires a great amount of concentration or being in a state of trance. Physical Mediums who have been touched during levitation usually fall back to a surface. Levitations of Catholic Church Saints usually are accompanied by a luminous glow around the body.

Numerous incidents of levitation have been recorded in Christianity and Islam. Among the first was Simon Magus in the first century. Other incidents reported among the Roman Catholic saints include the incident of Joseph of Cupertino (1603-1663), the most famous, who is said to have often levitated through the air. It is reported he often gave a little shriek just before levitating, and on one occasion levitated for as long as two hours.

Saint Teresa of Avila was another well known saint who reported levitating. She told of experiencing it during states of rapture. One eyewitness, Sister Anne of the Incarnation, said Saint Teresa levitated a foot and a half off the ground for about a half hour.

Saint Teresa wrote of one of her experiences: "It seemed to me, when I tried to make some resistance, as if a great force beneath my feet lifted me up. I know of nothing with which to compare it; but it was much more violent than other spiritual visitations, and I was therefore as one ground to pieces." (Evelyn Underhill "Mysticism," 1955)

Saint Teresa observed these levitations frightened her but there was nothing she could do to control them. She did not become unconscious, but saw herself being lifted up.

Such feats were said to be duplicated by the Brahmins and Fakirs of India. Similar abilities were reportedly shared by the Ninja of Japan and monks in China.

Famous levitators include many Tibetan Monks, and Milarepa the great thirteenth century yogi.

Within the Eastern traditions levitation is reportedly accomplished through such secret techniques of breathing and visualization. The techniques involve the employment of an universal life force and are called by various names such as: 'prana,''ch'i' and 'ki.'

Throughout history the determining factor for judging whether the practice of levitation is caused by good or evil influenced seems to depend on the one doing the levitating. Simon Magus was judged evil by the churches while a person was elivated to the status of a saint by her church was Saint Teresa was said to do it in states of rapture. During the Middle Ages and Renaissance levitation was thought to be a manifestation of evil. It was said to be an unusual phenomena generated by witchcraft, fairies, ghosts, or demons.

Even to the present day, levitation is often thought to be involved in cases of demonic possession. Many times beds, tables, chairs and other objects have been witnessed flying up into the air apparently by themselves. They frequently aimed themselves at the exorcist or his assistants.

In 1906 Clara Germana Cele, a sixteen year-old school girl from South Africa, was said to be demonic possessed. She was raised up five feet in the air, sometimes vertically and sometimes horizontally. When sprinkled with holy water she came out of these states of possession. This was taken as proof of demonic possession. How rediculous can you get !!!!

Likewise, incidents of poltergeists and haunting often involve the levitation of objects.

Some physical mediums claimed to have experienced levitations. The most famous is Daniel Dunglas Home, who reportedly did it over a forty-year period. In 1868 he was witnessed levitating out of a third-story window, and he floated back into the building through another window. When levitating Home was not always in a trance, but conscious and later described his feelings during the experiences.

Once he described "an electrical fullness (sic)" sensation in his feet. His arms became rigid and were drawn over his head, as though he was grasping an unseen power which was lifting him. Home also levitated furniture and other objects.

The Catholic Church excommunicated Home as a sorcerer. Although he was never discovered to be a fraud like other alleged Mediums who used wires and other contraptions to levitate objects.

Controlled experiments involving levitation are rare. During the 1960s and 1970s researchers reported some success in levitating tables under controlled conditions. The Soviet PK medium Nina Kulagina has been photographed levitating a small object between her hands.

Skeptics of levitation have came up with several theories as to its cause including hallucination, hypnosis, or fraud. These theories are not applicable to all incidents, however. The most likely and acceptable explanation is the Eastern theory of an existence of a force (simply, an universal force) which belongs to another, nonmaterial reality, and manifests itself in the material world.

The technique of "yogic flying" which consists of low hops while seated in the lotus meditating position has been achieved by advanced practitioners of Transcendental Meditation (TM). This has received worldwide publicity. The technique is claimed to be accomplished by maximizing coherence (orderliness) in brain-wave activity, which enables the brain to tap into the "unified field" of cosmic energy. However, a lot of people say this type of yogic flying is accomplished through muscular action, which I totally agree with.

Tibetan Sound Levitation Of Large Stones Witnessed By Scientist

Excerpt from 'Anti-gravity and the World Grid' edited by D.H.Childress, ch.8, Acoustic levitation of stones by Bruce Cathie, pp. 213-217

A New Zealand scientist recently gave me an intriguing extract from an article published in a German magazine, relating to a demonstration of levitation in Tibet. After obtaining a translation by a German journalist, in English, I was amazed at the information contained in the story, and was surprised that the article had slipped through the suppression net which tends to keep such knowledge from leaking out to the public.

All the similar types of stories that I had read up until now were generally devoid of specific information necessary to prove the veracity of the account. In this case a full set of geometric measurements were taken, and I discovered, to my great delight, that when they were converted to their equivalent geodetic measures, relating to grid harmonics the values gave a direct association with those in the unified harmonic equations published in my earlier works.

The following extracts are translations taken from the German article: 'We know from the priests of the far east that they were able to lift heavy boulders up high mountains with the help of groups of various sounds...the knowledge of the various vibrations in the audio range demonstrates to a scientist of physics that a vibrating and condensed sound field can nullify the power of gravitation. Swedish engineer Olaf Alexanderson wrote about this phenomenon in the publication, Implosion No. 13.

The following report is based on observations which were made only 20 years ago in Tibet. I have this report from civil engineer and flight manager, Henry Kjelson, a friend of mine. He later on included this report in his book, The Lost Techniques. This is his report.

A Swedish doctor, Dr. Jarl, a friend of Kjelsons, studied at Oxford. During those times he became friends with a young Tibetan student. A couple of years later, it was 1939, Dr. Jarl made a journey to Egypt for the English Scientific Society. There he was seen by a messenger of his Tibetan friend, and urgently requested to come to Tibet to treat a high Lama.

After Dr. Jarl got the leave he followed the messenger and arrived after a long journey by plane and Yak caravans, at the monastery, where the old Lama and his friend who was now holding a high position were now living.

Dr. Jarl stayed there for some time, and because of his friendship with the Tibetans he learned a lot of things that other foreigners had no chance to hear about or observe.

One day his friend took him to a place in the neighbourhood of the monastery and showed him a sloping meadow which was surrounded in the north west by high cliffs. In one of the rock walls, at a height of about 250 metres was a big hole which looked like the entrance to a cave.

In front of this hole there was a platform on which the monks were building a rock wall. The only access to this platform was from the top of the cliff and the monks lowered themselves down with the help of ropes.

In the middle of the meadow, about 250 metres from the cliff, was a polished slab of rock with a bowl like cavity in the centre. The bowl had a diameter of one metre and a depth of 15 centimetres. A block of stone was manoeuvred into this cavity by Yak oxen. The block was one metre wide and one and one half metres long. Then 19 musical instruments were set in an arc of 90 degrees at a distance of 63 metres from the stone slab.

The radius of 63 metres was measured out accurately. The musical instruments consisted of 13 drums and 6 trumpets.(Ragdons) Eight drums had a cross-section of one metre, and a length of one and one half metres. Four drums were medium size with a cross-section of 0.7 metre and a length of one metre. The only small drum had a cross-section of 0.2 metres and a length of 0.3 metres. All the trumpets were the same size.

They had a length of 3.12 metres and an opening of 0.3 metres. The big drums and all the trumpets were fixed on mounts which could be adjusted with staffs in the direction of the slab of stone. The big drums were made of 1mm thick sheet iron, and had a weight of 150kg. They were built in five sections. All the drums were open at one end, while the other end had a bottom of metal, on which the monks beat with big leather clubs. Behind each instrument was a row of monks.

When the stone was in position the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. During the first four minutes nothing happened, then as the speed of the drumming, and the noise, increased, the big stone block started to rock and sway, and suddenly it took off into the air with an increasing speed in the direction of the platform in front of the cave hole 250 metres high. After three minutes of ascent it landed on the platform.

Continuously they brought new blocks to the meadow, and the monks using this method, transported 5 to 6 blocks per hour on a parabolic flight track approximately 500 metres long and 250 metres high. From time to time a stone split, and the monks moved the split stones away. Quite an unbelievable task.

Dr. Jarl knew about the hurling of the stones. Tibetan experts like Linaver, Spalding and Huc had spoken about it, but they had never seen it. So Dr. Jarl was the first foreigner who had the opportunity to see this remarkable spectacle. Because he had the opinion in the beginning that he was the victim of mass-psychosis he made two films of the incident. The films showed exactly the same things that he had witnessed.

The English Society for which Dr. Jarl was working confiscated the two films and declared them classified. They will not be released until 1990. This action is rather hard to explain, or understand.: End of trans.'

The fact that the films were immediately classified is not very hard to understand once the given measurements are transposed into their geometric equivalents. It then becomes evident that the monks in Tibet are fully conversant with the laws governing the structure of matter, which the scientists in the modern day western world are now frantically exploring. It appears, from the calculations, that the prayers being chanted by the monks did not have any direct bearing on the fact that the stones were levitated from the ground.

The reaction was not initiated by the religious fervour of the group, but by the superior scientific knowledge held by the high priests. The secret is in the geometric placement of the musical instruments in relation to the stones to be levitated, and the harmonic tuning of the drums and trumpets. The combined loud chanting of the priests using their voices at a certain pitch and rhythm most probably adds to the combined effect, but the subject matter of the chant, I believe, would be of no consequence.

The sound waves being generated by the combination were directed in such a way that an anti-gravitational effect was created at the centre of focus (position of the stones) and around the periphery, or the arc, of a third of a circle through which the stones moved.

If we analyse the diagram published with the original article, then compare it with the modified diagram, we become aware of the following coordinates, and the implications, when compared with my previously published works.

The distance between the stone block and the central pivot of the drum supports is shown as 63 metres. The large drums were said to be one and one half metres long, so the distance from the block to the rear face of each drum could be close to 63.75 metres considering that the pivot point would be near the centre of balance.

My theoretical analysis, by calculator, indicates that the exact distance would be 63.7079 metres for the optimum harmonic reaction. By mathematical conversion we find that this value is equal to 206.2648062 geodetic feet, which is harmonically equal to the length of the earths radius in seconds of arc (relative to the earths surface) 206264.8062. This also leads us to the following associations:

(206.2648062 x 2) = 412.5296124 This number squared = 170180.68 which is the theoretical harmonic of mass at the earths surface.

The four rows of monks standing behind the instruments in a quarter circle added to the production of sound by their loud chanting and must be taken in to account in regards to the geometric pattern. If we assume that they were standing approximately two feet apart, we can add a calculated value of 8.08865 geodetic feet to the radius of the complete group. This gives a maximum radius of: 214.3534583 geodetic feet.

The circumference of a complete circle with this radius would be: 1346.822499 geodetic feet.

Which is a half harmonic of 2693.645 (unified field)

The distance from the stone block to a calculated point within the cliff face and the height of the ledge on the cliff face from ground level is given as 250 metres. If we can now imagine that the raised stone blocks pass through a quarter arc of a circle during their flight from ground level to the hole in the cliff face, then the pivot point of the radius would be coincident with this position.

The theoretical radius was found to be: 249.8767262 metres which very closely approximates the estimate. This converts to 809.016999 geodetic feet. The diameter of the full circle would therefore be: 1618.034 geodetic feet.

A circle with this diameter has a circumference of 5083.203728 units, which can be divided into three even lengths of 1694.4 It therefore appears that the levitated blocks, once resonated to a certain frequency, would tend to carry out a flight path that is coincident to one third of a circle. The spacial distance being equivalent to the mass harmonic at the centre of a light field, 1694443.

The instruments used by the group, in theory, would also have been tuned to produce harmonic wave forms associated with the unified fields. The given measurements are in rounded off parts of a metre but in practice some slight variations from these measurements would be expected in order to create the appropriate resonating cavities within the instruments

The geometric arrangement, and the number of instruments in the group would also be a most important factor.

If the given measurement for each type of drum is modified fractionally and converted to its geometric equivalent an interesting value for the cubic capacity is evident.

The large drums:

1.517201563 metres long, 1.000721361 metres wide = 58.94627524 geodetic inches long, 38.88 geodetic inches wide = 69984 cubic inches capacity = 40.5 cubic geodetic feet capacity.

Therefore the cubic capacity for eight drums = 324 cubic geodetic feet This harmonic value is built into the world grid and is equal to half the harmonic 648.

The medium size drums:

1.000721361 metres long, 0.695189635 metres wide = 38.88 geodetic inches long, 27.00948944 geodetic inches wide = 22276.59899 cubic geodetic inches capacity = 12.89155034 cubic geodetic feet capacity.

Therefore the cubic capacity for four drums: = 51.56620136 cubic geodetic feet

14.97414932 centimetres = 5.895334377 inches = 5.817764187 geodetic inches = 0.484813682 geodetic feet

As the dish-shape was focused upward towards the stone block to be levitated it would be expected that some type of reaction would take place which had an effect on the mass. The geometric shape of the cavity does seem to be engineered in such a way the projected frequency vortex causes a reciprocal reaction to the mass harmonic of each block. The reciprocal of 0.484813682 = 2.062648055 Twice this value: = 4.12529611 The square of this value: = 17.018068 (the harmonic of mass at the earth's surface.17018068

I believe that there is not much doubt that the Tibetans had possession of the secrets relating to the geometric structure of matter, and the methods of manipulating the harmonic values, but if we can grasp the mathematical theory behind the incident, and extend the application, then an even more fascinating idea presents itself.

With slight alterations from http://www.crystalinks.com/levitation.html

The Ancient Secrets of Levitation
Great stone structures and megaliths around the world stand as mysteries to how they were constructed. Is it possible their builders possessed the powers of defying gravity?

Did ancient civilizations possess knowledge that has since been lost to science?

Were amazing technologies available to the ancient Egyptians that enabled them to construct the pyramids - technologies that have somehow been forgotten?

The ruins of several ancient civilizations - from Stonehenge to the pyramids - show that they used massive stones to construct their monuments. A basic question is why? Why use stone pieces of such enormous size and weight when the same structures could have been constructed with more easily managed smaller blocks - much like we use bricks and cinderblocks today?

Could part of the answer be that these ancients had a method of lifting and moving these massive stones - some weighing several tons - that made the task as easy and manageable as lifting a two-pound brick? The ancients, some researchers suggest, may have mastered the art of levitation, through sonics or some other obscure method, that allowed them to defy gravity and manipulate massive objects with ease.

The Egyptian Pyramids

How the great pyramids of Egypt were built has been the subject of debate for millennia. The fact is, no one really knows for certain exactly how they were constructed. The current estimates of mainstream science contends that it took a workforce of 4,000 to 5,000 men 20 years to build the Great Pyramid using ropes, pulleys, ramps, ingenuity and brute force.

And that very well may have been the case. But there is an intriguing passage in a history text by the 10th century Arab historian, Abul Hasan Ali Al-Masudi, known as the Herodotus of the Arabs. Al-Masudi had travelled much of the known world in his day before settling in Egypt, and he had written a 30-volume history of the world. He too was struck by the magnificence of the Egyptian pyramids and wrote about how their great stone blocks were transported. First, he said, a "magic papyrus" (paper) was placed under the stone to be moved. Then the stone was struck with a metal rod that caused the stone to levitate and move along a path paved with stones and fenced on either side by metal poles. The stone would travel along the path, wrote Al-Masudi, for a distance of about 50 meters and then settle to the ground. The process would then be repeated until the builders had the stone where they wanted it.

Considering that the pyramids were already thousands of years old when Al-Masudi wrote this explanation, we have to wonder where he got his information. Was it part of an oral history that was passed down from generation to generation in Egypt? The unusual details of the story raise that possibility. Or was this just a fanciful story concocted by a talented writer who like many, who marvel at the pyramids today, concluded that there must have been some extraordinary magical forces employed to build such a magnificent structure?

If we take the story at face value, what kind of levitation forces were involved? Did the striking of the rock create vibrations that resulted in sonic levitation? Or did the layout of stones and rods create a magnetic levitation? If so, the science accounting for either scenario is unknown to us today. Or was it a structure that created a magnetism/magnetic vibration that cancelled out the Gravity Force of the earth and it had control over it to such an extent that that no matter what size or weight the structure was it could be move to what ever position that was necessary at the given moment.

Other Astonishing Megaliths

The Egyptian pyramids are not the only ancient structures constructed of huge blocks of stone. Far from it. Great temples and monuments around the world contain stone components of incredible size, yet little is known about their means of construction.

What was the secret these diverse and ancient cultures possessed to manipulate these great stone blocks? A massive supply of slave labour straining human muscle and ingenuity to their limits? Or was there another more mysterious way? It's remarkable that these cultures leave no record of how these structures were constructed. However, "in almost every culture where megaliths exist," according to 432:Cosmic Key, "a legend also exists that the huge stones were moved by acoustic means - either by the chanted spells of magicians, by song, by striking with a magic wand or rod (to produce acoustic resonance), or by trumpets, gongs, lyres, cymbals or whistles."

with slight additions and alterations from http://paranormal.about.com/library/weekly/aa031901a.htm

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